One of the good things in the visual field of the country is that the number of their galleries has been predicted for years, for example, the number of galleries in Tehran has exceeded 120, but do these galleries meet the needs of the country’s art community? The duty of the gallery is to promote and grow culture and art in the society, and as a medium, it should raise the level of visual literacy of the people. But do Iranian galleries do that? What exact statistics are there? Does anyone other than the artist and student class go to the galleries? Do these galleries serve artists and art seekers? The strictness of galleries and gallery owners to present the works of different artistic strata in such a way that it has become a mafia thing. Collaborating galleries with a number of their own artists (for example, five or ten people) and not collaborating with other artists, delays in holding and false promises that hit the young and novice artists, and make them eager. And it stops working, and the works of art bring them down to the level of destruction. Putting strange prices on the works of certain people that cause discrimination and classification of the artist class In recent years, these galleries have developed in terms of the development of culture and art. All have been duplicated and copied. And there have been fewer exhibitions that have embarked on an innovative and creative approach   All these bitter artistic events take place in the cradle of world art, Iran.

But the ear is not listening. And who can resist the power of this huge mafia group. And do the gallery management as it should be? Unfortunately, the purchased works, which are usually bought by collectors, have been transferred to warehouses, so that one day the collector may benefit from its sale, and that work does not play any role in the development of culture and art.